Cabaret book by Joe Masteroff, music by John Kander, lyrics by Fred Ebb

Directed by Curt Columbus

September 11 – October 11 in the Chace Theater

Berlin, 1931: music, money, and love are there for the taking. Cliff seeks inspiration for his novel. He finds it in Sally Bowles, the Kit Kat Klub’s chanteuse, who charms him into sharing his apartment. The Emcee has not one but two ladies to keep him company. The landlady’s found new love with the grocer. Yet outside the cabaret the world is changing: what's in store for Sally and her friends? Cabaret celebrates the indomitable human spirit -- what good is sitting alone in your room?

A young man and woman fell in love in college, and promised each other they’d change the world. Twenty years later, they meet unexpectedly in a snow-bound airport. Sharing stories deep into the night, they discover who they’ve become as they recall who they were. When morning comes, all flights are cleared for departure – what’s the final destination for these two? The author of God’s Country and Lonely Planet gives us that rare thing, a truly smart romantic comedy.

Twelfth Night by William Shakespeare

Directed by Brian McEleney
January 29 – March 7 in the Chace Theater
 

Shipwrecked, orphaned, separated from her twin brother, disguised as a boy in a hostile country – when Viola thinks things can’t get worse, she falls for her new boss, the Duke. He pines for Olivia, who’s sworn off men – till she met Viola’s male alter-ego. Spurned suitors, servants with delusions of grandeur, and Viola’s big, big love for the Duke – it’s a giddy mess that’ll put someone in the madhouse. Shakespeare’s meditation on love and identity is one of his most nuanced – and funniest – comedies.

Dead Man’s Cell Phone by Sarah Ruhl

February 19 – March 28 in the Dowling Theater
 

Why doesn’t he answer that phone?! Jean picks it up, and finds herself holding his legacy in her hand, along with the phone. Think about it: when we leave our bodies, do we live on in our cell phones, iPods, GPS’s, and PDA’s? Do these indispensable tools, these grown-up toys, hold the secrets to the afterlife? From the author of The Clean House, another whimsical comedy about life, death, and love in these modern times – and the connections, real and virtual, holding them together.

Oscar’s wife has left him. Alone in his big apartment on Riverside Drive, his slovenly ways run happily amok. Then, Felix’s wife kicks him out. Concerned about his poker buddy, Oscar takes Felix in, but there’s a problem: Felix is a neat-freak, and his compulsive cleanliness drives Oscar to distraction. What will these woefully, wonderfully mismatched roommates learn from each other? Can they stay together, or is their living situation hopeless? Hilarity ensues in Neil Simon’s beloved play, a touchstone of American comedy.

The Trinity Rep box office is located at 201 Washington Street, Providence, RI, 02903, at (401) 351-4242.