A Chat with Phyllis Kay

Phyllis Kay Resident acting company member Phyllis Kay has been with Trinity Rep for almost thirty years. Her first show...

Updates and Thanks from Trinity Rep’s Executive Director

Tom Parrish 9/5/2019 2018-19 Season in Review Trinity Rep is experiencing unprecedented programmatic and financial success, and that is due...

Losing Their Heads

2/19/19 Decapitation in Macbeth is a sign of the times. By Talley Murphy. From the early 1300s until 1660, heads lined...

Non-Traditional Shakespeare Is Pretty Traditional

2/15/19 by Tyler Dobrowsky In Trinity Rep’s production of Macbeth — one of Shakespeare’s most famous plays, written in the...

An Exciting and Unusual Collaboration: Macbeth’s Context & Conversation

Rebecca Noon 2/8/19 By Rebecca Noon  In my role as the artistic associate for community, I pursue potential community partners, reaching...

Macbeth’s Looks That Kill

1/24/19 By Maxwell Snyder Now that Macbeth is about to go into tech and the finishing touches are being made,...

Welcome to the Cursed Play

1/22/19 By Caitlin Howle,  digital marketing coordinator The Scottish Play! Or, if you please, Mackers. McB. MacBee. The-Play-That-Must-Not-Be-Named. Just say...

Morality & Honor, Superstitions & Witches

Tyra Wilson 1/18/19 Artistic Management Intern Tyra Wilson recently sat down to talk with Artistic Director Curt Columbus, who will be...

From the Executive Director: 2019 has begun

Tom Parrish 1/11/19 Your 2019 at Trinity Rep begins with the dynamic pairing of two contemporary adaptations of Homer’s epic...

Macbeth First Rehearsal

1/10/19  Maxwell Snyder, our Marketing Intern, sat in on design presentations from the first rehearsal of the upcoming production of...